Haute Tension (2003)

bloody van horror

“I won’t let anyone come between us any more” – Haute Tension

Haute Tension 2003

Be prepared to be blown away.

Alexandre Aja’s Haute Tension (2003), which translates in English to High Tension, is a European slasher from the post-Scream era. Unlike the watered-down self-aware horror that followed in Scream’s footsteps, Haute Tension ran screaming back to the roots of slasher horror. The end result is a movie which is utterly unforgettable for its tension and brutality…and for one of the most controversial movie swerves I have ever encountered.

So polarizing is the plot twist that many would-be Haute Tension supporters turned their back on the movie, while others embraced it for its originality. It seems either you absolutely love or despise Haute Tension.

Don’t worry. I’m not going to spoil the swerve for you. Let’s jump into the setup. But be careful where you step – there will be lots of blood.

The movie opens with Marie (Cecile De France) careening through a forest, bloodied and battered. She is rescued by a passing driver, and then the movie flashes back in time to the horrific events which led to Marie’s bloody rescue.

Marie sits dreaming in the passenger seat, as her best friend, Alex (Maiwenn Le Besco), drives through rural France toward her parent’s house. Marie comes awake and tells Alex of a bizarre dream in which Marie was stalking herself.

Not far from Alex’s home, a van is suggestively rocking alongside a cornfield. As quickly as we decide some rather heated sex is occurring inside, the window opens, and a severed head is tossed out. So I guess it wasn’t quite sex that was occurring inside the van. The same van follows the girls to their destination.


The scene shifts to nightfall, and Haute Tension explodes with unrelenting horror. The madness begins when Alex’s father answers a knock on the door. The killer from the van puts the claw end of a hammer into his skull. In one of the most terrifying gore sequences from any movie I’ve seen, the killer wedges the father’s head  between the bannisters and bashes him with a drawer chest, decapitating him in a volcanic eruption of blood. Wow. The murders that follow are not much less intense.

A cat-and-mouse chase begins between the murderer and Marie, who realizes the lunatic has stolen Alex and tossed her into the back of his van. The ensuing chases through the countryside are heart-pounding, as we root for Marie to somehow free Alex from the monster driving the van.

Haute Tension is not just a throwback to the golden era of slasher horror from the 1970s and 1980s; it is a near-perfection of the sub-genre, a movie so shocking that to see it is to never forget it. Eschewing party slashers such as the Friday the 13th series, Haute Tension channels the brooding horrors of Texas Chain Saw Massacre (1974) and Just Before Dawn (1980), then cranks the volume to eleven.

Haute Tension Killer

How you feel about the crushing plot twist determines whether you consider Haute Tension a classic achievement among slashers or an overindulgent wannabe. And since I’m not going to discuss the swerve and let you decide for yourself, my critical analysis of the twist ending must conclude here.

Aja manages to infuse the movie with relentless dread, keeping the audience on edge and constantly questioning what lies around the next corner. The use of sound – or sometimes the deliberate lack of it – elevates the suspense, punctuated by sudden bursts of violence that leave viewers gasping for breath.

The film’s cinematography is another star, drawing inspiration from the gritty, grainy texture of the 70s and 80s, yet adapting it to fit the contemporary palette. The gloomy color grading, combined with impeccable shot composition, ensures that every scene feels dripping with impending doom. The idyllic French countryside, instead of offering solace, becomes a foreboding expanse with danger lurking in its shadowy corners.

Performance-wise, the film stands tall due to the dynamic duo of Cécile de France and Maïwenn. Cécile’s portrayal of Marie is both tenacious and vulnerable, allowing audiences to root for her throughout her harrowing ordeal. Maïwenn’s Alex, on the other hand, serves as the emotional anchor, grounding the story and giving Marie’s journey purpose and urgency.

That said, it’s the film’s audacious gore that will be imprinted on viewers’ minds. Aja does not shy away from showing the brutality of the film’s antagonist, leading to sequences that are as creative as they are horrifying. It’s this unflinching approach to violence that gives Haute Tension its, well, high tension.

Though only a few people have mentioned it, I have another criticism of Haute Tension – its striking resemblance to Dean Koontz’s Intensity. Granted, Haute Tension and Intensity diverge significantly during their final acts. But the preceding acts and many of the set pieces seem very similar, so much so that the glaring similarities are even noted in the High Tension Wikipedia entry. If you haven’t read Intensity (and you absolutely should), get yourself a copy and compare the main plot points with those of Haute Tension. Decide for yourself.

Haute Tension 2003

Haute Tension is horror in the vein of Maniac, Halloween, and Black Christmas. The movie is as unforgiving for its love of gore as it is for its swerve ending. I admit to being greatly angered by the plot twist when I first saw it. But even so, I cannot look past how incredible a ride the movie took me on through its first two acts. As the name says, the tension is high from start-to-finish.

Despite its divisive twist, which has stirred hot debates among horror aficionados, Haute Tension undeniably represents a bold step in the evolution of the slasher sub-genre. Whether you laud it as a modern classic or dismiss it as a derivative exercise in shock value, there’s no denying that the film leaves an indelible mark. It’s a brutal, nerve-wracking ride that dares viewers to keep their eyes open and challenges them to digest its thematic richness. A must-watch for those brave enough to confront the darkest corners of horror cinema.

Don’t let me make up your mind for you. Grab the Blu-Ray and decide for yourself if this controversial slasher is a classic. Either way, you will never forget this movie.

2 thoughts on “Haute Tension (2003)

  1. Saw it years ago and loved it. Thought I was watching a film adaptation of Intensity for the first 20 minutes for sure.

    1. Yes, you aren’t alone. Lots of people thought it was Intensity-based. The gore is crazy in Haute Tension; you can’t possibly watch that movie and not remember it.

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